(Image has been digitally retouched)
This unique painting, executed in Szyk’s most elaborate 16th century miniature style, portrays the first King of Israel, Saul, and his young successor David. King Saul, clothed in all the embellishments his rank decrees–jewels, precious fabrics, and a mighty sword–looms fiercely over David. His face reflects the grim anger and jealousy provoked by the younger man’s triumphs. This beautiful David, envisioned here by Szyk, embodies all the poetry and romantic spirit incubated in the Jewish nation. Here are the long slender hands of the “sweet singer of Israel” cradling a harp, the same hands which slew a giant.
Symbols and iconography of ancient Israel are minutely dispersed across the image. Each man has both a Magen David and a tiny rendition of the tablets of Moses adorning his chest. The Lion of Judah forms the base of David’s lyre.
Arthur Szyk’s signature and date are visible just above David’s left shoulder. The verso of the carved frame (original to the painting) has another signature of Szyk. Remnants of a faded, pasted tag suggest exhibition appearances since the work is titled “David and Saul, N 15”. Szyk’s earliest one-man exhibitions were both presented in 1922 at the Exposition de L’Oeuvre d’ Arthur Szyk at the Galeries A. Decour in Paris and Wystawy Obrazow Artura Szyka in Lodz, Poland. Both Paris and Lodz are written separately in ink on the frame’s verso.
Arthur Szyk readily acknowledged the importance and influence that the stories and heroes of the Bible provided for him. These legendary figures fueled the prodigious imagination and creativity which lasted the length of his lifetime. The watercolor technique seen here in David and Saul is among the earliest possible known examples of the style Szyk would make world famous. This is a rare and decidedly precious gem from the master illuminator.
This is the earliest watercolor image of Szyk we have seen, with his works from the earl
BERKELEY (Press Release) — The extensive body of work of an artist and illustrator whose subjects spanned some of the most profound events of the 20th century will be available to the world in a public institution for the first time, thanks to a $10.1 million gift from Bay Area-based Taube Philanthropies to The Magnes Collection of Jewish Art and Life at the University of California, Berkeley. The Taube grant is the largest single monetary gift to acquire art in the history of the campus.
This gift provides students, scholars, and the public access to the most significant collection of works by Arthur Szyk, a Polish Jewish artist and political caricaturist who ultimately settled in the United States in 1940. Szyk used motifs drawn from the Bible, history, politics, and culture to pair extraordinary craftsmanship with insightful commentary on a diverse range of subjects including Judaism, the founding of the State of Israel, the American War of Independence, World War II, and the Holocaust.
Taube Philanthropies’ $10.1 million gift to acquire the Szyk collection is a continuation of its support for UC Berkeley in making exemplary Jewish art and culture accessible to wider audiences. In 2010, support by the foundation through a $250,000 grant helped ensure the transfer of the 15,000-item collection formerly known as the Judah L. Magnes Museum to its current home at the university, where it has thrived as The Magnes Collection of Jewish Art and Life. The new gift is also the largest single monetary gift in the area of Jewish studies in the history of the university.
The latest gift, the voluminous Szyk collection, now known as the Taube Family Arthur Szyk Collection, is moving from a private owner to a world-class university, exposing new generations to a major artist whose work is drawing significant interest in the art world, decades after his death. The Magnes — which holds the third-largest Jewish museum collection in the U.S., and the only one of such size in the world housed at a research university — is particularly well suited to study and showcase Szyk’s work.
“Arthur Szyk’s unique contributions to contemporary art and political illustration have not yet been recognized to the extent his work deserves,” said Tad Taube, chairman of Taube Philanthropies. “With our shared Polish Jewish heritage, and a relationship my parents developed with Szyk upon first arriving in the United States from Poland in the early 1940s, it is significant to me to ensure that Szyk’s remarkable works are available to today’s and future generations. Through our philanthropic activities at Taube Philanthropies, we hope to create entrepreneurial opportunities. The elevation of Szyk’s diverse, intricate portrayals of European, American and Jewish history, and anti-Nazi political propaganda, in the superb academic setting of UC Berkeley provides an ideal venue for Szyk’s monumental collection.”
“Arthur Szyk operated simultaneously in many countries, cultures, and languages, and he was a refugee for a good part of his life,” said Francesco Spagnolo, curator of The Magnes Collection. “The Magnes is committed to exploring and documenting the cultures of Jews in the global diaspora, and this collection furthers that goal. Our curatorial task — and the academic task of the larger Berkeley community — is to thoroughly examine every aspect of Szyk’s work and place it in proper context.”
Added UC Berkeley Helen Fawcett Professor of History Tom Laqueur, “It’s really pretty rare for a single institution to have, essentially, the entire corpus of an important artist’s work, in addition to a vast trove of documentary material — which is to say his diaries, financial records, commissions. Arthur Szyk was an important political artist as well as an important Jewish artist who captured and commented on significant world events in his art.”
Born into a middle-class Polish Jewish family in 1894, Szyk lived a life framed by two world wars, the rise of totalitarianism in Europe, and the birth of the State of Israel, before his death in 1951. Much of his work centered around these historical experiences. Szyk was raised in Poland, educated in France, traveled to the Middle East and North Africa, and lived in London and Canada before moving to New York in 1940, where he met Taube’s family.
While much of Szyk’s art is stylistically reminiscent of medieval and Renaissance traditions, many of his works reflect the social and political unease that gripped the world during his lifetime. A harsh critic of Hitler and Nazi totalitarianism, a number of his most famous pieces portray what Szyk called the “madness” of his times.
“Coming under the stewardship of The Magnes as the Taube Family Arthur Szyk Collection will mean greater access for the general public to Szyk’s work, opening the door to academic research and scholarship by individuals at Berkeley and beyond, as well as collaborative partnerships,” said George Breslauer, UC Berkeley’s former Executive Vice Chancellor and Provost who now serves as director of The Magnes Collection of Jewish Art and Life.
The newly acquired collection represents a range of Szyk’s artistic activities, including many of his most valuable works. They include 450 artworks, comprising paintings, drawings, and sketches from across the artist’s lifespan. Accompanying Szyk’s artwork in the collection is a wealth of documents, including books, newspapers, magazines, and other publications that featured the artist’s work.
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Preceding provided by Taube Philanthropies
Where on the campus is the collection housed and how can the public visit it?