Music, Dance, and Visual Arts

Person-to-person diplomacy in Swaziland

We stayed overnight at the upscale Hotel Orion in the community of Piggs Peak. After checking in, and dinner at the hotel restaurant, we strolled into the lobby. Sitting on the floor in an alcove was a young man with several nicely wood carved figures of animals. Curious I picked up and examined a few of them. Pasted on the bottom were tags showing how many hours it had taken him to carve each piece. A small simple elephant caught my eye. It had taken 32 hours to carve. I remarked how lovely I thought the piece was, but asked if he was aware of the small inexpensive hand held Dremel electric Motor tool which I had used for years in my carving, sanding and polishing work? He reached into his back pocket and pulled out an old Dremel catalogue and replied,”yes I am, but they are not available in my country and I can’t afford to buy one.” Impulsively I said, “I will send you one when I get back home.” What’s your name and address? And that’s how I became introduced to Pius Mthupha of Piggs Peak, Swaziland. [Ira Spector]

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International, Music, Dance, and Visual Arts, Travel and Food, USA

An outdoor Shofar service for 2nd night Rosh Hashanah

Zoom services  may be good, but those in the open air are better in the opinion of Rabbi Mendy Begun of Chabad of Chula Vista.  With what he hopes will be the help of other Jewish congregations, the rabbi plans to put on a free second night of Rosh Hashanah shofar blowing and concert  by Cantor Daniel Moreno in Cottonwood Park in Chula Vista. [Our Shtetl San Diego County column by Donald H. Harrison]

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Donald H. Harrison, Jewish Religion, Music, Dance, and Visual Arts, San Diego County, Travel and Food

Pianist Barnatan stars in LJMS Summerfest

The star of the first half of this year’s pared-down Summerfest of the La Jolla Music Society was indisputably, the Israeli-born director, pianist Inon Barnatan. He was featured in all the selections on Saturday evening and Sunday afternoon. His playing was consistently well-calibrated and balanced with his string collaborators and musically distinctive in its beautiful phrasing and dynamic shadings. His string colleagues were no less distinguished. [Eileen Wingard]

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Eileen Wingard, Music, Dance, and Visual Arts

In memory of Michael Anderson, collage master

Another extraordinary piece, Circus Maximus (2019) is one that I so deeply admired from the moment I saw it complete, for its vitality, its de-centered yet exquisitely balanced structure, its thematic unity, and vibrant palette, its countless intertwining stories – I so wanted my kids to grow up with this lively and inexhaustible work that Anderson kindly let me have it and pay it off gradually. He told me he had been collecting the materials that went into it for seven years, which could hardly be doubted. Michael waited until it had become something of the past and then he created this epic tribute to the circus world with all its zaniness, its indefatigable physicality, its costumes and clowns with their joviality yet frightening undercurrents, the animals, elephants, and lions, and so much more. The circus always struck me as a theme for which Anderson’s art was destined, perfectly suited to his unstoppable talent for deconstruction and recreation – here was a subject the content of which he could explore, take apart and endlessly reconfigure in his inimitable style. Anderson could in life play the clown, laughing or crying, for he was not afraid to show his tears – but he was most truly, I believe, the tightrope walker: always living on the edge but with supreme skill, and poise, and his own style of grace. [Sam Ben-Meir, Ph.D]

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Music, Dance, and Visual Arts, Sam Ben-Meir

Spontaneous Lines: The Art of Rita Blitt  

The bountiful new book, Rita Blitt: Around and Round (Tra Publishing, 2020), looks back at the long and prolific career of this notable American artist. If Blitt’s work is about anything then it is about the exuberance, the joy, the sometimes almost mad ecstasy of creative spontaneity. Much of her work is suffused with a kind of wild and kinetic extemporaneity, which seems to resound with a forceful but unforced “Yes!” – a Yes to life, a Yes to the world, a Yes to the here and now, the living moment pregnant with infinite possibility. Her gestural art is dynamic, uninhibited, and no less sensuous for being abstract. In the improvisational, rhythmic musicality of her paintings, Blitt expresses with unerring directness the energy and intensity of embodied imaginative experience.   [Sam Ben-Meir, Ph.D]

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Books, Poetry & Short Stories, Music, Dance, and Visual Arts, Sam Ben-Meir

Leichtag Foundation urges Beirut relief donations

The Encinitas, California-based Leichtag Foundation expressed shock and sadness over the Aug. 4 explosion that destroyed most of the port of Beirut, Lebanon, killing more than 150 people and leaving thousands homeless. “Responding hospitals, already stretched thin due to COVID-19 are now at overcapacity,” reported Charlene Seidle and Sharyn Goodson, respectively the Foundation’s executive vice president and vice president for philanthropy and organizational development. [Our Shtetl San Diego County column by Donald H. Harrison]

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Donald H. Harrison, Ken Stone, Middle East, Music, Dance, and Visual Arts, Stephen D. Bryen

Zina Schiff performs Bloch to critical acclaim

For this article, I am featuring my sister, violinist Zina Schiff’s Bloch Naxos release: Violin Concerto, Baal Shem Suite and Suite Hebraique, recorded with the Royal Scottish National Orchestra, Jose Serebrier, conducting. At a concert commemorating Kristallnacht at New York City’s Cathedral of St. John the Divine, Maestro Jose Serebrier heard Zina perform as soloist with the the Brooklyn Philharmonic Orchestra.He introduced himself after the concert and they later met to discus this CD project. [Eileen Wingard]

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Eileen Wingard, Music, Dance, and Visual Arts