Theatre, Film & Broadcast

Universities urge Pass/No Pass grades this semester

With in-person classes transferred to Internet learning at UC Berkeley, my grandson, Shor Masori, is back home in San Diego, monitoring his classes via computer.  Recently, he and his fellow undergraduates received a notice from Bob Jacobsen, Letters & Science Dean of Undergraduate Studies.  It began, “The chair of the Academic Senate has written to explain that for this semester only, the default grades that instructors will give are Pass and No Pass.” [Our Shtetl San Diego County column by Donald H. Harrison]

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Books, Poetry & Short Stories, Donald H. Harrison, Middle East, Music, Dance, and Visual Arts, San Diego County, Science, Medicine, & Education, Shor M. Masori, Theatre, Film & Broadcast, Travel and Food

House of Joy is an intriguing adventure

With the Lyceum Space arranged in a black box, centering the action, Scenic Designer Yoon Bae invites us into a world of bright colors, ornate patterns and cherry blossoms. The luxurious harem of 17th century Hindustan was paradise, employing only the finest seamstresses, cooks, nurses and … well, you know. There was always plenty of delicious food to eat and fine silks to wear. The women of the harem wanted for nothing so long as they kept their Emperor happy. Watching over the harem are trained, battle-ready female bodyguards. They must be ever-ready to spring into action. But there’s a lot more waiting than action, so the guards play little games to pass the time. Devereau Chumrau and Taireikca L.A. have a playful rapport with a musical hip-hop street swag that makes them fun to watch. The stage combat with jo sticks, ably choreographed by Ka’imi Kuoha, was like a scene straight out of Kung Fu. [Eric George Tauber]

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Eric George Tauber, San Diego County, Theatre, Film & Broadcast

Glass Menagerie resurfaces at Broadway Vista Theatre.

The play is set in the St. Louis apartment of Amanda Wingfield (Terri Park) and her two adult children, Laura (Marisa Taylor Scott) and Tom (Tim Baran). The time is 1937 and the country was in the middle of the depression. Tom works in a shoe factory (Williams sold shoes for a time) and Amanda sells magazine subscriptions from her home, much beneath her status as a genteel Southern belle when a young girl. Money is tight but hope springs eternal for Amanda, the faded yet once popular belle, as she glides around their apartment recalling her glory days as a teen growing up in the south. Her repeating and reliving her past encounters with her own ‘gentlemen callers’(seventeen in one day) fascinates Laura, who longs for a gentleman caller of her own, but it annoys the hell out of Tom. [Carol Davis]

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Carol Davis, San Diego County, Theatre, Film & Broadcast

Local law enforcement and Israel

Israel boycott advocates in San Diego County have been attempting, so far without success, to persuade local law enforcement executives to refuse to travel with the Anti-Defamation League for familiarization with Israeli police techniques. Tammy Gillies, regional director of the Anti-Defamation League, said such a push was successful a few years ago in Raleigh-Durham, North Carolina, “where the City Council was asked to stop organized trips to Israel by law enforcement.  They passed that and it was a shock to us. … There are organizations in San Diego working very hard and lobbying our law enforcement agencies not to send people to Israel.” [Sour shtetl San Diego County column by Donald H. Harrison]

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Donald H. Harrison, Eva Trieger, International, Middle East, San Diego County, Theatre, Film & Broadcast, Travel and Food, USA

Safa’s Story responds creatively to bullying

Safa is a fifth grader whose family hails from Zimbabwe. She’s precocious, curious, smart and very likable. But there’s a new kid in school, Ryan, who makes Safa the object of his taunts. Ryan isn’t hostile so much as immature. He’s “only joking,” but at Safa’s expense. And when Safa goes to the teacher for support, she’s labeled a “snitch,” which only makes matter worse. Halfway through the performance, the audience gets to weigh in, changing the outcome of the story by changing the characters choices, even stepping into their roles. We can be Safa, standing up for ourselves, her classmates being better friends or the teacher taking the situation more seriously. The one character we can’t replace is the bully. The only way to change him is to stand up to him. [Eric George Tauber]

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Eric George Tauber, San Diego County, Science, Medicine, & Education, Theatre, Film & Broadcast

‘The Outsider’ leaves audiences laughing

The brilliant script of The Outsider by Paul Slade Smith and deft direction by David Ellenstein with his amazing cast gave North Coast Rep audience a smart and really funny performance. Although written years ago, Smith’s script is still a contemporary and sharp satire on our political circus. [Cantor Sheldon Foster Merel]

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Cantor Sheldon Foster Merel, z"l, San Diego County, Theatre, Film & Broadcast

We can all relate to Making God Laugh

There’s an old Yiddish proverb: If you want to make God laugh, tell Him your plans. We all make plans for our futures. Some work out, but many don’t. We’re encouraged to reach for the stars, but often we fall and hit the hard ground.

With the passing years, our families change and yet stay the same. Making God Laugh follows an American family with three grown children from the 80s to the twenty-first century. Bill and Ruthie are empty nesters in their cozy suburban home, waiting for “the kids” to arrive for Thanksgiving. The accouterments are very Catholic with the Ten Commandments by the front door, a crucifix, a portrait of the Madonna and Child and no mention of sex. [Eric George Tauber]

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Eric George Tauber, San Diego County, Theatre, Film & Broadcast