Lawrence Baron

Laurie Baron

Lawrence (Laurie) Baron, now retired, served as the Nasatir Professor of Modern Jewish History at San Diego State University. He served from 1988 to 2006 as director of SDSU’s Lipinsky Institute for Judaic Studies. He was the founder in 1995 of the Western Jewish Studies Association.

He writes two satire columns for San Diego Jewish World: “Humoring the Headlines” under his byline, and “Hounding the Headlines,” under the byline of his dog Elona.

Books to his credit, available on Amazon, include:

Projecting the Holocaust into the Present: The Changing Focus of Contemporary Holocaust Cinema

The Modern Jewish Experience in World Cinema

The eclectic anarchism of Erich Muhsam (Men & movements in the history & philosophy of anarchism)

His most recent articles are:

“Making Room for the Jews: The House I Live In (1945),” AJS Perspectives, Summer 2023, 86-88.  

The Revolt of Job: Salvaging the Lost World of Rural Hungarian Hasidim,” Journal of Jewish Identities, 16:1-2 (January/July 2023), 181-198.

“Persistent Parallels, Resistant Particularities: Holocaust Analogies and Avoidance in Armenian Genocide Centennial Cinema, in Armenian and Jewish Experience between Expulsion and Destruction, ed. Sarah M. Ross and Regina Randhofer (Berlin: De Gruyter Oldenbourg, 2021), 267-296.

“The Pioneering American Jewish Women Directors from Elaine May to Claudia Weill,” Jews and Gender (Studies in Jewish Civilization), ed. Leonard Greenspoon (W. Lafayette, IN: Purdue University Press, 2021), 217-243.

Humoring the headlines: September 6, 2013

  By Laurie Baron SAN DIEGO — President Obama has asked for congressional authorization to conduct a limited military strike against Syria.  He realizes that time is of the essence because the strike must be launched before the House Republicans shut down the government rather than increase the debt limit.  Other members of the House […]

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Lawrence Baron, Trivia, Humor & Satire

The Wandering Review: ‘Hannah Arendt’

By Laurie Baron SAN DIEGO –Fifty years after its publication, Hannah Arendt’s Eichmann in Jerusalem continues to polarize public discourse.  Margarethe von Trotta’s thought provoking but flawed film rekindles the fiery debates over Arendt’s characterization of Eichmann as a dutiful bureaucrat and her charge that the Jewish Councils abetted the Holocaust by complying with German

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Lawrence Baron