Eric George Tauber

 The thirtieth annual San Diego International Jewish Film Festival has passed, closing on Sunday, Feb 23rd, 2020. There was a good variety of films including indies, documentaries, histories and comedies. I wish I could have seen more, but what I did see did not leave me disappointed. [Eric George Tauber]

Rami Margron enters in purple robes and a golden garland. Dionysus has been reborn as Diane, who prefers the personal pronouns “they, them, and theirs.”  Diane is a landscape artist with the chutzpah to ‘follow their own vision, not their clients’. With a crocodile haircut, workboots and guns most men would envy, Margron gives Diane a brash, butch androgyny that makes them compelling. Diane’s vision is to “re-wild” the suburbs with permaculture, taking it from manicured lawns and rose bushes to producing food, herbs and medicine “off the grid.” But Carol (Liz Wisan) is not having it. A chatty suburbanite who clips pictures from HGTV Magazine, she cares too much about resale value, “curb-appeal” and what “the girls” will think. [Eric George Tauber]

Their patter and body language have an expressive musicality that’s really fun to watch and listen to. They enjoy the playful camaraderie of old friends who don’t need to be polite. Raised in the Black church, their patter is peppered with Biblical allusions such as the hardening of Pharaoh’s heart, the stolen birthright of Esau and Daniel in the Lions’ Den. [Eric George Tauber]

Thanksgiving dinner: A time for families to be thankful for one another even as they bicker about religion, politics and life-choices between forkfuls of turkey and glasses of wine. Brigid Blake and her boyfriend Rich have moved into a garden duplex in Chinatown. There are noises from above and a view of an alley filled with cigarette butts from the only window. The movers haven’t arrived with all of their stuff yet, so furnishings are pretty spare. It’s modestly pleasant by New York City standards. But driving in from the quiet suburb of Scranton, it’s not exactly what Brigid’s parents are used to. [Eric George Tauber]

Last Friday, I popped into the office of San Diego Junior Theatre (based in Casa del Prado in Balboa Park) to say hello to their Artistic Director, Desha Crownover. She was both excited and exhausted about opening night of their “gender fluid” production of Shakespeare’s Twelfth Night. Having written about issues related to gender identity before, I smelled a story. [Eric George Tauber]

Blindspot Collective is a small troupe taking on big issues. They are currently touring Danny’s Story a “forum theatre” play based on the real experiences of transgender youth. The issue is important not just because it’s trending, but because this is a highly vulnerable population. One third have attempted suicide. “Danny” is a transgender boy who was born female. Kids have kept diaries forever, but today’s millennials post theirs online. Danny has a Youtube channel where he works through his transition. [Eric George Tauber]

We’ve all seen variations of Charles Dickens’ Christmas Carol many times in stage plays, films and musicals. His iconic character, Ebenezer Scrooge with his catchphrase, “Bah Humbug” is so well known that I doubt many Israelis name their children “Ebenezer” except for some ultra-orthodox sects who avoid all things Krastmik along with the rest of the goyishe velt. So what can you do to put a new twist on this classic tale? Set it in sunny San Diego, California. [Eric George Tauber]

Hold These Truths is a story we need to hear. Director Jessica Kubzansky describes it as “a love story between a man and his Constitution.” The true shonda is that Gordon Hirabayashi resisted injustice precisely because he believed in the noble ideals enshrined in our Constitution far more than the leaders who swore to uphold and defend them. [Eric George Tauber]